Matthew Dear / "New Breed" / A Collaboration for the new Ford Mustang Mach-E
by Julia Smith
For decades, music and cars have been honed and mastered in the city of Detroit, Michigan. American music producer, electronic avant-pop artist, and cherished Flaunt alum, Matthew Dear, a Michigan local, exemplifies this in his new track, “New Breed”, which comes about in a collaboration with Ford. This hypnotic ,electronic-pop arrangement samples the oscillations that emanate from Ford’s upcoming all-electric car, the Mustang Mach-E.
Mustang has a long, interconnected history with music, beginning with Chuck Berry’s ode to a cherry-red number in “My Ford Mustang”, followed by hits like Wilson Pickett’s 1966 track “Mustang Sally”. Now, the synth-heavy effort adds to the lineage.
FLAUNT had the opportunity to interview the artist about his latest creation and working with Ford to create this unique mix, as the artist and the iconic motor company are no doubt looking to the future.
Was it difficult to come up with a beat for the sound of the Mustang Mach-E?
Every song, remix or project always starts with a big fat question mark. Where do I go today? Once I received the sounds though, I have to say it became clear rather quickly what the car sounded like which direction I should go in.
What inspired the lyrics for this song?
I relied heavily on the drive modes of the car for the lyrics. I had to cheat a little and use them as place holders to get the pen rolling. I didn’t think Ford would mind given it was a remix of their car.
What is "New Breed" about and are you excited about its release?
New Breed is about change. A change of pace, a change of experience; a new way to look at something once familiar but now different when under a new light. The shift in my own personal life goals and abilities in the past few months seemed to fit well with the change in direction for the Mustang at this particular time.
What was your experience like working with Ford?
To be completely honest, it was one of the easiest collaborations I’ve ever done. I’ve done remixes for independent labels or friends that felt more rigid and taxing of my liberties as an artist. Hats off to Ford for allowing me the freedom to take this where I thought it needed to go.
How do you feel joining this heritage of musicians that have worked with Mustang?
Pretty damn good.
What inspirations did you pull from Detroit Techno for this piece?
About as much as I do every time I’m in the studio. I wouldn’t be doing what I do without the legacy crafted by so many talented Detroit artists. I can’t escape that influence whenever I work.
When do you feel the most invincible?
When I’m creating without self prejudice, and hitting the nail square on the head.